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SOLD Acrylic on board 13’ ’x1 8’’ Strip wooden frame $150 |
"........planes of color placed on planes of color with the
under planes projecting like steps leading up to the crescendo." PRM 1966 | |||||
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Acrylic on composition board 14’’ x 23’’ No frame $100 |
The distinct contrast between a advancing solid and transparent
receding surfaces-see quality of the universality of space and time. To give this
picture coherence, units must be organized each in relation to a background. | ||||||
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Acrylic on canvas board 16’’ x 22’’ No frame Sides painted $200 |
" Paint linear movements over color masses. But some spaces between lines become lighter or darker due to adsorption effect of lines passing on both sides. This is a way to produce depth movements and also to unite that linear and tonal elements." PRM 1947 | ||||||
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Acrylic on canvas board 12’’ x 18’’ Strip wooden frame $150 |
"Why do I want to paint?........Just simply, that something
may help you and me find a closer relationship to the cosmos.....to the apparently
unlimited and therefore unknown universe." PRM 1976 | ||||||
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Acrylic on canvas board 12’’ x 18’’ Strip wooden frame $150 |
"Keep moving! History reminds us that discoveries of the easy, skillful methods when repeated often become a dull bore. An artist's experiences (just like any living thing) must constantly adjust to the unknown." PRM | ||||||
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Acrylic on canvas 20’’ x 22’’ Finished wooden frame $350 |
"There must be a necessity to generate invention. Look
at the past examples of dull academic art and be wary of the skillful manipulation
of surface reality being accomplished by skillful use of photography, instead
of direct contact with the subject. Actual contact is more likely to discover
the inner rhythms which can overwhelm our senses instead of merely tickling our
intellectual egos. How often has the critics exclaimed 'My! Such detail; such
perspective'". PRM | ||||||
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Acrylic on canvas 5’8’’ x 48" No frame $2500 |
"Good color is not that which makes you aware of its brightness
so much as that it gives a dynamic sense of growing, expanding, breathing...........as
a thing alive." PRM 1970 | ||||||
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Acrylic on canvas 3’4’’ x 4’7’’ No frame, edges painted $1500 |
"Painting is rising a flat surface to project sensations or
material truth reality (which is best done by simplifying the surface and shape
together with brightened texture) and sensations of volume and time-space (which
is done by alternating transparent volumes with the surface texture areas. Lines
are used for the latter---advancing lines surrounding receding areas." PRM
1946 | ||||||
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Acrylic on canvas Aproximately the size of the paintings above No frame $1500 | "My
compositional procedure. I start with a blank-search for potent visual impressions
by drawing forms either in line or by masses. These are expanded in two intensified
relationships by repetitions, by visual surprises and by achieving a dominating
rhythm in all the visual elements. The result should be a new created force which
invokes the spirit of the impressions contained in the first visual forms placed
on the canvas. Note. A completely plastic flexible medium is desired." PRM
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Acrylic on canvas 54" x 57" $1200 |
The distinct contrast between a advancing solid and transparent
receding surfaces-see quality of the universality of space and time. To give this
picture coherence, units must be organized each in relation to a background. | ||||||
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Acrylic on canvas 42’’ x 36’’ Strip wooden frame $650 |
The picture may be started with the dominant linear movements
to break up the rectangle into related areas of meaning and space. This stage
is followed by introduction of tones to further related areas and to start the
foreword and backward relationships. Color is incorporated with the use of tones.
Finally meaning is clarified and the solid and open areas are established with
textures, lines and color. | ||||||
Modern Abstracts