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Acrylic on board 13’ ’x1 8’’ Strip wooden frame $150 |
"........planes of color placed on planes of color with
the under planes projecting like steps leading up to the crescendo." PRM
1966
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Acrylic on composition board 14’’ x 23’’ No frame $100 |
The distinct contrast between a advancing solid and
transparent receding surfaces-see quality of the universality of space
and time. To give this picture coherence, units must be organized each
in relation to a background.
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Acrylic on canvas board 16’’ x 22’’ No frame Sides painted $200 |
" Paint linear movements over color masses. But some spaces between lines become lighter or darker due to adsorption effect of lines passing on both sides. This is a way to produce depth movements and also to unite that linear and tonal elements." PRM 1947 |
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Acrylic on canvas board 12’’ x 18’’ Strip wooden frame $150 |
"Why do I want to paint?........Just simply, that something
may help you and me find a closer relationship to the cosmos.....to the
apparently unlimited and therefore unknown universe." PRM 1976
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Acrylic on canvas board 12’’ x 18’’ Strip wooden frame $150 |
"Keep moving! History reminds us that discoveries of the easy, skillful methods when repeated often become a dull bore. An artist's experiences (just like any living thing) must constantly adjust to the unknown." PRM |
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Acrylic on canvas 20’’ x 22’’ Finished wooden frame $350 |
"There must be a necessity to generate invention.
Look at the past examples of dull academic art and be wary of the skillful
manipulation of surface reality being accomplished by skillful use of
photography, instead of direct contact with the subject. Actual contact
is more likely to discover the inner rhythms which can overwhelm our senses
instead of merely tickling our intellectual egos. How often has the critics
exclaimed 'My! Such detail; such perspective'". PRM
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Acrylic on canvas 5’8’’ x 48" No frame $2500 |
"Good color is not that which makes you aware of its
brightness so much as that it gives a dynamic sense of growing, expanding,
breathing...........as a thing alive." PRM 1970
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Acrylic on canvas 3’4’’ x 4’7’’ No frame, edges painted $1500 |
"Painting is rising a flat surface to project sensations
or material truth reality (which is best done by simplifying the surface
and shape together with brightened texture) and sensations of volume and
time-space (which is done by alternating transparent volumes with the
surface texture areas. Lines are used for the latter---advancing lines
surrounding receding areas." PRM 1946
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Acrylic on canvas Aproximately the size of the paintings above No frame $1500 |
"My compositional procedure. I start with a blank-search
for potent visual impressions by drawing forms either in line or by masses.
These are expanded in two intensified relationships by repetitions, by
visual surprises and by achieving a dominating rhythm in all the visual
elements. The result should be a new created force which invokes the spirit
of the impressions contained in the first visual forms placed on the canvas.
Note. A completely plastic flexible medium is desired." PRM
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Acrylic on canvas 54" x 57" $1200 |
The distinct contrast between a advancing solid and
transparent receding surfaces-see quality of the universality of space
and time. To give this picture coherence, units must be organized each
in relation to a background.
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Acrylic on canvas 42’’ x 36’’ Strip wooden frame $650 |
The picture may be started with the dominant linear
movements to break up the rectangle into related areas of meaning and
space. This stage is followed by introduction of tones to further related
areas and to start the foreword and backward relationships. Color is incorporated
with the use of tones. Finally meaning is clarified and the solid and
open areas are established with textures, lines and color.
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Modern Abstracts