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{b |
Study 39" x 30" 1973 $600 |
"The distinct contrast between a advancing solid and
transparent receding surfaces-see quality of the universality of space and time.
To give this picture coherence, units must be organized each in relation to a
background." PRM | |||||
{body} |
Acrylic on canvas 5’8’’x4’ no frame $2500 |
"Good color is not that which makes you aware of its brightness
so much as that it gives a dynamic sense of growing, expanding, breathing...........as
a thing alive." PRM 1970 | ||||||
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Acrylic on canvas 29’’x41’’ Finished wooden frame $750 |
"There must be a necessity to generate invention. Look at the past examples of dull academic art and be wary of the skillful manipulation of surface reality being accomplished by skillful use of photography, instead of direct contact with the subject. Actual contact is more likely to discover the inner rhythms which can overwhelm our senses instead of merely tickling our intellectual egos. How often has the critics exclaimed 'My! Such detail; such perspective'" PRM. | ||||||
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Another Day 70" x 50" Acrylic on canvas 1979 $1500
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"Drawing is not putting a line around what we see. It
is to give the sensation or entities in space by means of color tones. Extension
and transparencies may be used." PRM 1946 | ||||||
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Slow Moving Forms 40" x 41" Acrylic on canvas $500 |
"Keep moving! History reminds us that discoveries of the easy,
skillful methods when repeated often become a dull bore. An artist's experiences
(just like any living thing) must constantly adjust to the unknown." PRM
1965 | ||||||
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Pilgrims 43" x 97" Acrylic on canvas $2000 |
"Painting is rising a flat surface to project sensations or
material truth reality (which is best done by simplifying the surface and shape
together with brightened texture) and sensations of volume and time-space (which
is done by alternating transparent volumes with the surface texture areas. Lines
are used for the latter---advancing lines surrounding receding areas." PRM | ||||||